The Wombats | The Annex | 8.15.2007

For a band with a single called "Moving to New York," The Wombats sure took their sweet time getting here, skipping Manhattan in favor of multiple L.A. shows when they were here for SXSW in March. Maybe they were too nervous. In any event, it probably worked in their favor, as buzz for the Liverpool trio has built steadily since the release of their first single, "Lost in the Post," last summer, resulting in them being the first unsigned band to sell out their hometown's Carling Academy.

The Annex is about one-fifth the capacity of the Academy, but it was choc' full of people when I arrived just before 10PM. And I do think it was worth the wait -- what a bunch of charming, funny, unassuming guys who I wouldn't exactly call tight, but they could really play and knew what they were doing. And you could tell that they were super-psyched to finally -- finally! -- be playing NYC.

Singer Matthew Murphy -- looking like a cross between Robert Smith, Larry Fine and Sideshow Bob -- came on-stage carrying a plush toy wombat (purchased at FAO Schwartz earlier in the day), setting it on his guitar amp as all three Wombats huddled around a microphone for the barbershop title track from their Japan-only Girls, Boys and Marsupials, before launching into their first song, a new one I didn't know. We heard a few new ones which will be included on their "official" debut album. (...Marsupials, which made my Best of 2006 list, was a quickie to satiate the Japanese market.)

Their energetic, 40-minute-or-so set was no-muss-no-fuss, hitting all the singles and best album tracks. Murphy has very expressive eyes, even when somewhat obscured by his mop of curly hair, and is a real Chatty Cathy, as is drummer Dan Haggis (unfortunate if it's his real name) the band's comedian. While I think Murphy's lyrics try too hard sometimes to be clever -- the phrase "Rom-com" should never feature in a chorus, even one as ridiculously catchy as "Kill the Director" -- he is a skilled tunesmith, with even the most throwaway songs being catchy as hell.

Speaking of such, the band's next single is called "Let's Dance to Joy Division." I don't mind that the phrase is in the chorus, but they really should've  given it another title. It's a horrible title for a single, smacks of novelty. (Maybe I'm sensitive as I saw Ian Curtis biopic Control [review coming shortly] the night before.) I was turned off the first time I heard it on BBC 1, but it was stuck in my head immediately. And subsequent listens kept it there. When they played it at the Annex, I had come around to it fully. It's a great single and is likely to be huge for them. The highlight of the show, though, as you might expect, was "Moving to New York." As it should be. Still...

MP3: The Wombats - Let's Dance to Joy Division (demo)

And here's video I shot of "Let's Dance to Joy Division" as well:

Also in attendance: Punkphoto, and I'm sure others to be revealed as the day goes by. More slightly fuzzy photos on my Flickr.

Comments

[J]

Aw, that's got nothing on "Instant Club Hit."

[Bill P]

J, you'll dance to anything.